The events recounted in the new movie The Monuments Men
are unfolding every day around the world. It’s a little less dramatic,
but the work by the State Department to preserve, protect, and recover
works of art is as vital today as it was in World War II.
Today’s villains are more likely to be transnational organized crime syndicates that traffic in antiquities that fetch big dollars on the black market. But threats also come from conflicts and natural disasters.
So the Department has a team of experts whose sole job is to care for and protect the cultural heritage of countries around the world. The art historians, archaeologists, and architectural historians of the Cultural Heritage Center, part of the State Department's Bureau of Educational and Cultural Affairs, don’t carry guns, but these new soldiers of diplomacy work on the frontlines to restore a country’s archaeological wealth. They provide expert guidance in protecting and restoring sites and work with international law enforcement to prevent looted items from entering the United States.
Today’s villains are more likely to be transnational organized crime syndicates that traffic in antiquities that fetch big dollars on the black market. But threats also come from conflicts and natural disasters.
So the Department has a team of experts whose sole job is to care for and protect the cultural heritage of countries around the world. The art historians, archaeologists, and architectural historians of the Cultural Heritage Center, part of the State Department's Bureau of Educational and Cultural Affairs, don’t carry guns, but these new soldiers of diplomacy work on the frontlines to restore a country’s archaeological wealth. They provide expert guidance in protecting and restoring sites and work with international law enforcement to prevent looted items from entering the United States.