Σάββατο 15 Ιουνίου 2013

ICOM: ΔΙΑΚΗΡΥΞΗ ΛΙΣΑΒΟΝΑΣ ΓΙΑ ΤΟΝ ΠΟΛΙΤΙΣΜΟ ΣΤΗ ΠΑΓΚΟΣΜΙΑ ΚΡΙΣΗ

The Lisbon Declaration to Support Culture and Museums to Face the Global Crisis and Build the Future

Among its core missions, ICOM is committed to providing cultural institutions with the support and tools necessary to face threats and challenges ranging from natural disasters to budgetary cuts.

The Lisbon Declaration to Support Culture and Museums to Face the Global Crisis and Build the Future Presentation of the Lisbon Declaration by Alberto Garlandini, Chair of ICOM Italy. From left to right: Damodar Frlan, Chair of ICOM Europe; Lidija Nikocevic, Chair of ICOM Croatia; Rafael Azuar, former Chair of ICOM Spain (representing the current chairperson); Teti Hadjinicolau, Chair of ICOM Greece; and Wim De Vos, Chair of ICOM Belgium.

In keeping with these missions, ICOM’s National Committees in Europe have released the Lisbon Declaration to Support Culture and Museums to Face the Global Crisis and Build the Future. This declaration came in the wake of an international conference held on 5 and 6 April, 2013 at the National Museum of Ethnology in Lisbon and entitled Public policies toward museums in times of crisis. The Lisbon Declaration is an appeal to the European Parliament and Commission, to the Parliaments and Governments of European countries and to regional and local governments, with the aim of defending European museums and cultural institutions and drawing the attention of the aforementioned bodies to the precarious situation in which museums are finding themselves as they are faced with threats and difficulties in terms of economic sustainability.

The National Committees of six European countries (Belgium, Croatia, Greece, Italy, Portugal and Spain) have joined ICOM Europe in this appeal. The Lisbon Declaration was sent by Dr Hans-Martin Hinz, President of ICOM to Mr José Manuel Barroso, President of the European Commission and Mr Martin Schulz, European Parliament President on the occasion of International Museum Day.





Illicit traffic in cultural goods ranks third in the listing of criminal activities worldwide, following drug and arms trafficking.




Illicit traffic causes significant damage to tangible heritage, particularly in certain regions of the world where the theft and looting are common.
It is not sufficient to simply take emergency action to develop tools designed to better control the art market and made available to law enforcement, experts, and potential purchasers of cultural goods.
This is why the fight against illicit traffic in cultural goods is one of ICOM’s priorities.

Promotion of Professional Ethics and Protection of Collections

Museums must be active players in the fight against illicit traffic and should adopt rules in terms of the acquisition and transfer of collections, according to The ICOM Ethics Code for Museums.
ICOM’s International Committees contribute to this mission by training their personnel to protect heritage, offering tools to make an inventory of their collections and publishing international guidelines of security.

A successful international partnership

Thanks to its international network of professionals, ICOM is now recognized by many national and international organisations as one of the main players in the fight against illicit traffic in cultural property.
The collaboration between ICOM and its partners includes the sharing of information and experiences, the organisation of awareness-raising campaigns, the development of training programmes for law enforcement authorities, and the dissemination of ICOM publications on illicit traffic to these authorities.

Reference Tools

The international awareness-raising efforts made by ICOM and its partners to highlight the importance of protecting the cultural heritage of civilizations against illicit traffic tend to have positive consequences.
The international standard, Object Identification, makes the identification of endangered objects easier.
The One Hundred Missing Objects collection presents a selection of stolen works of art in a given region of the world.
The Red Lists classify the endangered categories of objects in some countries or regions of the world.
These tools are transmitted to the police and customs officials worldwide through INTERPOL and the WCO. They are also distributed to museums, auction houses and art dealers.

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